Bedaffi Green vs. Awthentic went down as part of the Declaration Card in July.
It dropped in September, and I told my FB friends I'd review it. The task of translating the audio/visuals of a battle into a written review overwhelmed me. Ultimately, I decided a recap is the better format if I were to write anything at all. Awthentic / Bedaffi Green: A one-rounder. Awthentic's delivery is effortless. He's also light on his feet, but all power above the waist. Easier to catch his material, but condenses so much of it. I had Bedaffi edging the battle on witty wordplay, but it was tedious and time-consuming to unpack. If you wanna talk punch after punch though, then Awthentic got this. Points given in increments of either one or two: One for a rock. Two for a rocket. Points are accumulative so there's no maximum. Point range can vary between battles, depending on length, intensity, and my impression of the lyrics.
22-21, Bedaffi Green
A battle rap review of "Bedaffi Green vs. Awthentic" (WEGOHARDTV)
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including this one for Bedaffi Green vs. Awthentic, at landturn.com/reviews.
Commemorating 5 years of landturn.com (2019 - 2023)
Related: "Like That" (2021)
Related: "Come Through" (2021) Related: "Wasting Time" (2021) Related: "Found My Niche" (2020) Related: "Summer Madness 12" (2022) Related: "Any Given Sunday 2" (2022) Related: "Smack Vol. 9" (2021) Related: Universal Hip Hop Museum (2020)
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Something about the Vietnam War, I was told. Something about a trial in Harrisburg. I had no idea what all the book was about, or even if I noticed its subtitle. And yet I sat on it -- a signed copy -- for more than a year.
Burglar for Peace: Lessons Learned in the Catholic Left's Resistance to the Vietnam War. In it, priests catch fed cases surrounding clandestine anti-war activities. Co-defendants only a few years out of adolescence -- including the author -- cross-examine federal agents. One fugitive resurfaces to give a speech (with excellent suggestions for everyday engagement on the subject therein). And more. In regard to civil disobedience alone, non-violence in the 21st Century is less of a platitude after reading it. Not in its entirety but largely Burglar for Peace is an autobiography. Yet Ted Glick, its author, cites a fair number of written accounts from his peers of the time and works from other authors. One of the things I like is that his reflections aren't all in hindsight. Rather, he notes some of them from journal entries and letters during and prior to the time he and the Ultra Resistance were putting in work or catching cases. I also like that the book showcases a range of original, non-violent direct actions, and the purpose behind some of them. The one involving craters -- creative. Very. Illustrative, too. From a public optic, on the other hand, my favorite by the author involved the rice bowls. Given the action that underlay it, the bowls were as substantive as they were symbolic. There was one action during which I was amazed Glick remained so cognitive. He went on to do at least a dozen similar actions, the next of which I feared he'd die from or suffer permanent injury. In regard to the former action, Glick would later admit about documenting it what he had not at the time. In that action, the author's near-daily confinement to contemplation and introspection didn't make for lively reading. Relinquishing the status of draft deferment. Opting to stand trial alone without counsel. Voluntary deprivation time and time again. The limits to his courage to speak against each indignity of its kind. Acknowledging the potential abuses one might endure. The potential leader in the restless kid. The letter from his beloved, elder namesake. At times this book put some teardrops in my heart. As mentioned, Burglar for Peace is not only an autobiography. There's legal strategy... organizational example... self-study... movement pitfalls... hope... And most definitely some inspiration. It's one guide from a 50-year veteran of non-violent direct action.
A book review of Burglar for Peace (Ted Glick) (Frida Berrigan, contributor)
Recommendor: Michael Badges-Canning
I had the pleasure of meeting Glick during an action in 2022. It was his first time back in Harrisburg in 50 years, he said. I didn't realize his age until I read Burglar for Peace.
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including this one for Burglar for Peace: Lessons Learned in the Catholic Left's Resistance to the Vietnam War at landturn.com/reviews. Commemorating 5 years of landturn.com (2019 - 2023)
Related: "This Life or the Next" (2019)
Related: "We are the Weather" (2020) Related: "The Incendiaries" (2019) Related: "The Green New Deal" (2019) Related: "Siddhartha" (2019) Related: "Alek: From Sudanese Refugee to International Supermodel" (2019) Related: "Frankenstein in Baghdad" (2023) Related: Pa. woman heats home this winter for 60 minutes a day over Palestine crisis (2024) Related: Authors (Active)
By the time I finished this book, I decided not to work another job on the graveyard shift.
Informed by the last 6 million years of modern human existence, A Hunter-Gatherer's Guide to the 21st Century focuses on some of the practices, structures, and ideas applicable to individuals and collective members of the modern world. Lots of takeaways; it's more or less whatever chapters apply to you. The first half of the book lay the foundation for the second, so I enjoyed it most. In the first half, every chapter details lesser-known human histories (Chapters 2-3), new perspectives (Chapter 4), and lesser-known facts (Chapters 5-6). One of my favorites was "Ancient Bodies, Modern World." As a result, Chesterton's fence is one of the concepts I now hold as a principle. At the time of this writing, I can't say that I also hold T.O. as a principle, but it's now a consideration of mine. "Asking Nature or nurture?" isn't wrong simply because the answer... or... the categories themselves are flawed, but also because once you understand that there is one common evolutionary goal, getting precise about mechanism is less important than understanding why a trait came to be." That excerpt is only a snapshot of why Chesterson's fence stuck with me, even though it's just one of multiple concepts in the book. I take it that it's an example of what the authors refer to as "first principles." In Chapter 8, at one point, I felt that Heying & Weinstin were letting me in on some secrets. Ironically, it was this study of evolutionary biology of which I had the most exposure over the years. Chapter 7 was a little too explain-ee. But I've had an introduction to some of the institutional research on the topic from a work by Charles Murray (yes, that Charles Murray). For me, Murray's actual overview in Human Diversity was sufficient enough to state his intention and approach to the topics to follow. (I intend to finish the book someday.) Similarly, I thought Heying & Weinstein accomplished this in A Hunter-Gatherer's Guide -- that is, until Chapter 11. If Chapter 7 was explain-ee, then Chapter 11 was much less so. Heying's & Weinstein's argument is well-made for learning that emphasizes certain types of environs and phenomena. But I felt there were gaps that prevented me from following the extent of their opposition to and conclusion about a couple of academic disciplines or schools of thought in question. Rather than define them, they were couched into a category, then attributed claims. Some other concepts that resonated with me were reductionism, scientism, and the distinction between Darwinism and Social Darwinism. There is a glossary in the back of the book for technical jargon, but A Hunter-Gatherer's Guide to the 21st Century is not a mere collection of terms and concepts. Millions of years of evolution and ecology inform the perspectives, topics, and concepts by Heying & Weinstein. It, therefore, stands to be read a second time -- if not more.
A book review of A Hunter-Gatherer's Guide to the 21st Century: Evolution and the Challenges of Modern Life (Heather Heying & Bret Weinstein)
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including one for A Hunter-Gatherer's Guide to the 21st Century by Heying & Weinstein, at landturn.com/reviews.
Commemorating 5 years of landturn.com (2019 - 2023)
Related: "The Green New Deal" (2019)
Related: "Flight of the Butterflies" (2022) Related: "Where the Crawdads Sings" (2020) Related: "La Chica Salvaje" (2020) Related: "Siddhartha" (2019) Related: Pa. woman heats home this winter for 60 minutes a day over Palestine crisis (2024) Related: Authors (Active)
Ahmed Saadawi gives up on none of his characters. No less than 20 recur in Frankenstein in Baghdad.
How he managed to keep each one relevant amazed me only in hindsight, however. The total number of characters even mentioned -- more than 30 -- overwhelmed me throughout the book. Ultimately, I finished Frankenstein in Baghdad because I'm a fan of Mary Shelley's Frankenstein. That, and a local librarian who didn't even know this recommended it to me two years ago. (At the time, I stopped reading it early on because I was moving.) Unlike Mary Shelley's Frankenstein, F.I.B. focuses less on the creature's conscience than the interconnection of the citizenry that surrounds him. In hindsight, another thing that amazed me was Saadawi's modes of characterization. Considering the recurring ones alone, a few characters have no dialogue at all. One is a pet. Another is an inanimate object. And so on. Given the array of characters and backstories, I'd recommend reading F.I.B. as part of a book club or group. That, and to better connect with some of the characters. One of my favorites is the elderly Elishva, who resolves to stay in occupied Baghdad for an extraordinary reason. Another is Father Josiah, who exercises incredible patience with her. I was gleaning the mentorship of Saidi, who became more of an intrigue as the book went on. Given his previous political affiliation, Brigadier Majid was always a curiosity in his sensitive role under U.S. occupation. I appreciated Mahmoud because his navigation of different interrelationships and events provided the most perspective of the story and convergence of the plot. Yet it's Hadi, who is -- besides Mahmoud -- the most invaluable character. He has the pulse of Baghdad under his feet as a pedestrian; the stuff he buys and sells from other residents as a junk dealer; and the rubbish he stores as a collector. Frankenstein in Baghdad leaves you with some twists, mysteries, and cliffhangers. It's otherwise frustrating to keep up with the who's who of the myriad characters. But there's so much material for fan fiction or a second book that I'd still bother to read.
Note: Just minutes before I post this review, I notice a List of Characters in small print for the first time.
Recommender/Reference: Librarian | Dauphin County Library System
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find her reviews on books from the Dauphin County Library System, including one for Frankenstein in Baghdad by Ahmed Saadawi, at landturn.com/reviews.
Commemorating 5 years of landturn.com (2019 - 2023)
Related: "The Resurrectionist" (2020)
Related: "Dark Cities" (2019) Related: "Sour Candy" (2023) Related: "The Ladies of Holderness" (2019) Related: "A Christmas in Calcutta" (2019) Related: "La Chica Salvaje" (2020) Related: "Burglar for Peace" (2023) Related: Authors (Active)
That's not his child!
I never felt so adamant about saying something like that. Sour Candy is as good as the cover art. It was the outline of a smokey-red background by massive antlers from a deer skull that caught my initial attention. In that space is a nightmare that confronts only Phil, the main character. SMH: I couldn't help but feel for him. That thing is not his child. Sour Candy is well-suited for the Kindle app it's hosted on (or e-readers in general). It's a short story. It's not bogged down with fleeting details. And the vocabulary level isn't rudimentary, but bite-size intervals of reading aren't hindered by persistent definition lookups. I first learned about Burke's work through his story in the anthology Dark Cities (C. Golden). If you liked "The Dogs" (Scott Smith) in that anthology (and I did!), then give Sour Candy a try. Sour Candy is one of, according to his bio at the end, Burke's works optioned for a movie. Optioning is no guarantee for movie production, but I hope it works out in his favor.
A book review of Sour Candy (Kealan Patrick Burke)
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including one on Sour Candy by Kealan Patrick Burke, at landturn.com/reviews.
Commemorating 5 years of landturn.com (2019 - 2023)
Related: "The Ladies of Holderness" (2019)
Related: "Frankenstein in Baghdad" (2023) Related: "Dark Cities" (2021) Related: "The Resurrectionist" (2020) Related: "A Christmas in Calcutta" (2019) Related: "La Chica Salvaje" (2020) Related: Authors (Active)
WARNING: The following review contains sexually explicit content for adults.
Like him or not, Kyd Slade did what I think many battle rappers can't:
He released a project on Valentine's Day geared to us ladies, or perhaps that "Special" lady. I listened to Lust (EP) several times that day, and once before posting this review. "lust" The hook is a little long to open the title track, "lust," and left me waiting for some raps. Apart from the ad-libs, it also sounds bare and desolate over an acoustic-dominent instrumental. Maybe it takes catching the vibe, but the track grows on you the longer it plays. Thankfully, Slade doesn't defer to the rap-singing style popular in mainstream Hip Hop. Nor is he panty-pandering. Still, it's not my favorite song on the EP. "Special" The production on this song is similar to "lust," the title track, but the hook sounds better. (The raps are better on "lust" though.) One thing that sticks out to me on "Special" are the ad-libs. I think Slade has an ear for ad-libs as feedback and inflection, but also nuance. There's a lot of ad-lib, but it doesn't litter the track. "Take4" (with SouthEndSantoro) Slade has a South flow on this one. I like this song, but not for the instrumental. Slade makes up for the sleepy beat with lots of wordplay and SouthEndSantora with cadence (... back to back to back to back/Take four/Take fourrrr). "You" (with Anoyd) "You" is the major breakout hit of the Lust EP. The beat is equal parts smooth and up-tempo. There's also better contrast between parts of the song. And I really like Anoyd's voice. He has a nice tone and displays it with a melodic hook. Keep him around. On the other hand, Slade is doing his thing -- with lines like, "Had you squirtin' all over/It's official/You didn't even know/You had that in you." The bridge -- which Slade does in addition to the verse -- is catchy. (Really catchy.) .... You a bad --t-- A ----a ever seen one Baby I ain't finish Till we finish That's when weee done We get to ------' Now you bustin' A machine gun .... There's more to it, but the sound affect at that point is kind of funny. "You" is probably my favorite song on the EP. Lust isn't the vibe I've come to like from Kyd Slade the battler or The Ghost of Whitney (2021) as a recording artist. Nevertheless, it's a decent project responsive to his appeal on female fans. I also think the songs on Lust (a clean version) rival any from mainstream male Hip Hop artists charting singles that appeal to women more. In his first battle of 2023, Kyd Slade faces veteran Shotgun Suge for URL Redemption 2 today. (To be available on demand at urltv.tv.)
A music review of Lust (EP) by Kyd Slade
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including the one on Lust (EP) by Kyd Slade, at landturn.com/reviews.
Commemorating 5 years of landturn.com (2019 - 2023)
Related: "Like That" (2021)
Related: "Come Through" (2021) Related: "Wasting Time" (2021) Related: "Found My Niche" (2020) Related: "Summer Madness 12" (2022) Related: "Any Given Sunday 2" (2022) Related: "Smack Vol. 9" (2021) Related: "Bedaffi Green vs. Awthentic: WEGOHANDTV" (2023) Related: Universal Hip Hop Museum (2020)
The only movie I remember seeing in 3D is "My Bloody Valentine", and the audience screamed and covered our faces when the swaying sickle/ax or whatnot protruded from the big screen. That changed in June, when I saw "Flight of the Butterflies."
The documentary is a little on the creepy side -- rather, the creepy-crawly side. In some scenes, a single monarch butterfly or its caterpillar overwhelms much of the screen... ... and it was in 3D. and I watched in a small, intimate theater. And I was the only audience member for that showing. And there's at least one scene with amplified sound of a monarch larva feeding on its shell. It's kind of gross... ... but kind of cool, too. That's because you the viewer are at scale with the world of this lovely creature. You're the milkweed upon which the monarch feeds or the blade of grass over which it flies. Apart from the effect of that scaling, the ground-level-to-skyward shots of some natural landscape and the monarch's flight path were two of my favorite features of the documentary. The plot can't be ignored, as it depicts the lifelong dedication of wife-and-husband team Norah and Frederick Urquhart. Their work required decades of low-tech patience to determine the migratory route of monarchs. That's why my favorite part of the movie follows the defining response from another country to a traditional newspaper ad the Canadian duo placed. I told my mother about the movie. She said she used to see monarchs when she was growing up. In addition, a fellow member of the Harrisburg NAACP Environmental Committee noted the abundance of these transcontinental pollinators along the riverfront (circa the '70s or '80s). At some point this year, I saw a reaction to a Deborah Cox video in which the songstress holds a jar with a monarch inside. Despite the song's popularity, I can't say I've seen the video before then. (By the way, Cox was inducted into the Canadian Music Hall of Fame this year.) My inspiration for watching "Flight of the Butterflies" -- stemmed from the mysterious death of the manager of a UNESCO-recognized monarch sanctuary in Mexico. The drowned body of Homero Gomez Gonzalez, conservation activist and manager at El Rosario, was found in a nearby town. It turns out that the body of Raul Hernandez Romero, a tour guide at El Rosario, was found slain on site just days before. Apparently, both men had either head wounds or head trauma. I've questioned the motive behind the murder of Gonzalez, whose death I learned of at the time. Now that I know he was one of two people slain, I question if his and Romero's murders are related: Both were affiliated with El Rosario. Both were slain in close duration of the other. And both succumbed to injuries to the head. In Harrisburg, tickets for "Flight of the Butterflies" are available from the Whitaker Center. It runs there until March 2023.
A review of "Flight of the Butterflies" (SK Films)
Jubalyn ExWilliams lives in Pennsylvania (United States). At the time of this writing, she serves as founding chair of the Harrisburg NAACP Environmental Committee. You can find dozens of her reviews, including the one on Flight of the Butterflies, at landturn.com/reviews.
Related: Spotted Lanternfly in Harrisburg (2021)
Related: NZ prime minister "very honored" after 4th bug named after her (2021) Related: "Where the Crawdads Sing" (2020) Related: "La Chica Salvaje" (2020) Related: Former astronaut trainee, 82, to fulfill dream aboard commercial space flight (2021)
Gotta make this quick because Summer Madness 12 is about to start.
Just found out the entire card today, and I'm try'na see the whole thing. My predictions: Chess vs. Shotgun Suge Shotgun Suge is not one of my favorite battle rappers, and I like Chess' on-stage zeal. Chess 2-1. Danny Myers vs. Fonz Danny Myers 2-1. I'm saying Danny in 3, but I've seen only one Fonz battle -- the one-rounder with Calicoe last month. Fonz punched that battle, and I prefer bar after bar over punch-in-punch-out. Like Roc, Danny barks and raps -- and raps and barks. And he battles a lot, so that's a lot of barking and a lot of rapping. Tay Roc vs. Swamp Looking forward to this one -- mostly because I'm trying to catch a Swamp battle. I've seen a few of his face-offs and, from time to time, his interviews. But no battle. I think JC is one of the best battlers out there, but I even missed his battle vs. Swamp for the $120,000 win last month. Also a little curious about what angle, if any, he'll take with Tay Roc. Of course, the two have a connection thru an erotic allegation made to Swamp about Roc from a transgender woman. True or false, angles tend to be a brow beat in battle rap. <Yawns.> Aside from that, I know Tay Roc's track record and that he raps and barks -- and barks and raps. Tay Roc 2-1. Eazy Da Block Captain vs. Calicoe One of my favorite match-ups tonight. Calicoe doesn't bark; he raps. And he's smooth with it. He's also a storyteller, and I like that combination: Rap, Flow, and Style. It's not the only rap combination I like, but it's one that he knows how to work. As said in Smack Vol. 9 (See "Related Links"), I think Eazy's barking voice sounds like screeching tires. Regardless, I'ma listen to those raps. Do I think he's about to die? No. 2-1: Calicoe Danny Myers vs. Fonz Danny Myers 2-1. I'm saying Danny in 3, but I've seen only one Fonz battle -- the one-rounder with Calicoe last month. Fonz punched that battle, and I prefer bar after bar over punch-in-punch-out. Like Roc, Danny barks and raps -- and raps and barks in his battles. And he battles a lot, so that's a lot of barking. Tsu Surf vs. JC Aside from Eazy vs. Calicoe, Tsu Surf vs. JC is my other favorite match-up of the night. Surf's energy seems part-passion-part-irritability, but he's multifaceted in promo, stage presence, and move-making. On the other hand, I think the aforementioned JC is one of the most-fluid emcees in battle rappers. Definitely think this battle is a clash in energy, with Surf being the sun and JC the earth. But based on pure bars -- pure bars -- JC will orbit around Surf in a pure line -- a pure bar. JC 2-1. Summer Madness 12 at 3 p.m. (EST): Live and free from Charlotte, N.C. on caffeine.tv/urltv.
A battle rap review of the URL's Summer Madness 12 card
CORRECTION: A day after this review, I recalled a Swamp battle that I saw this year or last. In it, he rebutted that his arrest at the time was over an altercation with a girlfriend who knew he was cheating on her.
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews at landturn.com/reviews.
Related: "Any Given Sunday 2" (2022)
Related: "Smack Vol. 9" (2021) Related: "Lust" (EP) (2023) Related: "Found My Niche" (2020) Related: "Bedaffi Green vs. Awthentic: WEGOHARDTV" (2023) Related: Universal Hip Hop Museum (2020) Related: Black oral history project turns 20 (2020)
As much as I like familiar and longstanding comfort music, I'm not ready to stall in musical yesteryear.
Enter in "Don't Make Me Beg" by Hylan Starr. It's feel-good music with a classic R&B sound from a contemporary artist. Forget the "lyrical quickie," that's a fixture in popular R&B/Hip Hop, where many a singer emphasizes rhyming over vocalizing, storytelling, or testifying. (Another example of what's not a lyrical quickie is "Wasting Time" [Brent Faiyaz] in the related links below.) Instead, Hylan is sanging -- sanging those long, whole notes (4 beats). For example: I ain't gone beeeegggg. Did you hear what I saaaaid? Then sets you up for what is one of my favorite parts of the song, when he wails. Drop that pen I'm on the Way to you Ohhhh whhhhoa hoooo Ah-hoooo-ah-hooo-ah-hooo-whhhhoa-whhhhoa I'ma sing that the next time I pass a flock of ducks. (I'm on the | Way to you | Ohhhh whhhhoa hoooo | Ah-hoooo-ah-hooo-ah-hooo-whhhhoa-whhhhoa.) Speaking of begging, the vibe of "Don't Make Me Beg" reminds me of Keith Sweat -- the father of begging in '90s R&B. To be specific, I'd say "Right and Wrong Way." In that song, Sweat starts off, "You may be young but you're red-dayyyy-eh-eh-eyyyy." In Don't Make Me Beg, on the other hand, Hylan says at one point, Wowww, girl, you're only 21 years oooold." The tempo is slow and the beat ambient. It sounds a little like "Lick U Up" by H-Town, but fuller. It also has a hint of "Computer Love" (Zapp), but avoids becoming another song that samples it. Oh, yeah: Lil Baby's on the song, too. Hylan starts off with a swooning intro and then the chorus. Lil Baby follows by rapping the first verse, so I was unsure if it was his song when I first heard it. Very good song. (In other words: great song!) And I'm glad Hylan got a look on it from one of today's most-popular artists.
A music review of "Don't Make Me Beg" (Hylan Starr, Lil Baby)
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including the one on "Don't Make Me Beg" by Hylan Starr and Lil Baby, at landturn.com/reviews.
Related: "Wasting Time" (2021)
Related: "Lust" (EP) (2023) Related: "Come Through" (2021) Related: "single af" (2021)
I'm try'na see this whole card!
For me, the battle of the night is Calicoe vs. Chess. But first: Ave vs. Danny Myers I like Danny Meyer's dedication and competitiveness for battle rap. On the other hand, I've slept on Ave. This battle gives me a reason to watch Ave in his entirety and more of what I expect from Danny. Charlie Clips vs. Lu Castro A curious match-up. It's been about a year since Lu Castro started warming up in battle rap, so I'm interested to see why the veteran and accomplished Clips ("Wild 'n Out") singled him out for a battle. 2-1 Clips. Tsu Surf vs. Cortez I really liked the soundbite of some track I heard from Cortez during his promo of this battle. Otherwise, Cortez is hit-or-miss for me as a battle rapper. Like I said for "Smack Vol. 9," I like Surf's energy. What I didn't say is his screaming voice -- like the emcee I mentioned in that post -- sounds like screeching tires. But this match-up is a long-standing grudge match worth watching. 2-1 Surf. Calicoe vs. Chess For me, Calicoe vs. Chess is the match of the night. It's also the only face-off I watched in its entirety. This week Smack announced the suspension of Twork, who I previously described as "now-sluggish." Calicoe is currently my favorite battle rapper, but his face-off was goofy as hell. Hopefully, he won't be against the even-younger veteran Chess. 2-1 Calicoe. Any Given Sunday 2 is tonight at 5 p.m. (ET) in Atlanta. Watch it free on caffeine.tv/urltv.
A battle rap review of the URL's Any Given Sunday 2 card
Jubalyn ExWilliams lives in Pennsylvania (United States). You can find dozens of her reviews, including the one on Any Given Sunday 2, at landturn.com/reviews.
Related: "Summer Madness 12" (2022)
Related: "Smack Vol. 9" (2021) Related: "Bedaffi Green vs. Awthentic: WEGOHARDTV" (2023) Related: Universal Hip Hop Museum (2020) Related: "Found My Niche" (2019) Related: "Lust" (EP) (2023) Related: "CROWN: An Ode to the Fresh Cut" (2020) Related: Black oral history project turns 20 (2020) |
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